Cannibal Dogs, a Clean Cat, Witches and Other Murals… Burning Man 2017: Part 4

“Double, double, toil and trouble; Fire burn and caldron bubble.” Macbeth immediately came to mind when I saw these three lovelies on a mural in Black Rock City. This seemed to fit Burning Man’s 2017 theme, Radical Rituals. And why do witches come in threes so often?

 

Murals have been around for a while. Try 30,000 years. Those ancient cavemen and women painting on the dark walls of their caves in Europe had a message they wanted to pass on, as did the prehistoric artists of the Southwest pecking out their messages on rock 3000 years ago. In modern times, graffiti artists have used their spray cans to mark out their territories and declare “I was here,” irritating competing gangs and the public as well, which, I’m pretty sure, was the point.

Street art has become more sophisticated today, and more acceptable. Major cities and small towns alike want a piece of the action. You are as likely to see a mural in a small Midwestern town as you are in Paris, Moscow, Rio or New York. The best of the street artists have found fame, and even a bit of fortune.

Not surprising, street art has made it to Burning Man. Murals may show up anywhere in Black Rock City, but a special place is reserved for them on the back wall of the Center Camp Café. I always try to include a few in my review of Burning Man art because it is representative of the art form, and, more importantly, I am fond of murals. They often show up in my blogs when I travel, and, I might note, they often show up in the blogs of the people I follow.

As you might imagine, Burning Man art can get a little weird. Take the cat below, for example. If you have a cat, you have noted their hygiene practices, and possibly even been a little embarrassed by them when the boss or the in-laws are over. But cats are cats, and, for all I know, they may do it on purpose during awkward moments. You might make your dog feel guilty about the practice, but never your cat. Speaking of dogs, they were featured on a mural as well.

Okay, this is a bit outrageous… But you have to admit, it is a cat ritual.

I may have seen this as a cartoon a long time ago in a New Yorker, but Karen Strauss’s mural on rituals made me laugh.

I can easily get lost on the Net when I try to find a particular Black Rock City mural artist. I never know where the search will take me, if anywhere. For example, Papa Witch caught my attention. I watched him work, found his monkey/ape charming, and was intrigued by how he signed his work.

Papa Witch, Chokae Kalekoa, paints the Monkey King on the wall behind the Center Camp Cafe at Burning Man.

I thought the Monkey King was quite regal.

My Papa Witch search eventually took me to Chokae Kalekoa, who was doing a fundraiser for a 2000-mile bike ride he was going on through the West. He declared, “The Conscious Relaxation that is achieved By Shutting my Monkey Mind, reveals a state of ok-ness that allows me to Mindfully Work, Artistically Create and Frolic to the best of my ability.” He taught meditation and promised, “I hereby pledge that on this 2000-mile odyssey bicycle ride, I will get 2000 people that I meet along the way to frolic and meditate with me.” He was shooting to raise $5,000. Darn, I thought, why didn’t I think of that for the 10,000-mile ride I did around North America. An equivalent amount would have been $25,000! But it wouldn’t have worked. I didn’t have the desire to frolic with 10,000 people, and I certainly didn’t have the stamina. Can you imagine frolicking with 100 people at the end of a 100-mile day on your bike?

Like much art work, most of the murals leave the viewer to make up his own interpretation of what he is seeing. So, I have, liberally. My apologies to the artists in advance. They are certainly free to correct me. Do you have any unique interpretations you would like to add?

This mural was quite clear And meaningful. Not drinking water at Burning Man can get you in a heap of trouble.

This mural, right next to the drink water mural, made me chuckle again. The sign on the bottle says “Not Water.” Note the sleepy-eyed cat up above. I found three among the murals.

These mermaids included the third cat, and a flying saucer.

This is weird. I am sure that the symbols tell a story. One look at the teeth and I promptly named the mural, “Dentist’s Dream,” however.

Another strange one, but I liked it. Note the name, Femmebrandt. I called this one, “The Eyes Have It.”

Does this remind you of anything? I got stuck on GOP. How else are you supposed to interpret an elephant with wild orange hair. I’m pretty sure that isn’t what the artist had in mind, but…

I thought of global warming here, which may say more about how my mind works than the mural. But I saw the water lapping at the city and thought of poor Houston. Frogs aren’t doing very well with global warming either.

Another artist works on her mural. The post says, “It’s for all of us.”

Go with the flow.

Daliesque, I am thinking. This fox had quite a rack.

And finally, bring it on!

NEXT POST: I wander around the outer edges of Burning Man.

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A Giant Jellyfish and a 180,000 Penny Bear… Burning Man 2017: Part 3

A giant jellyfish, created by the artist Peter Hazel, was located in front of the Center Camp Cafe at Burning Man this year.

I wasn’t all that surprised to find a forty-foot-tall jellyfish hanging out on the Playa. It was Burning Man, after all. Plus, I had seen pictures of it—I’d previewed the art I could expect to find in Black Rock City this year. Don’t get me wrong, I love surprises. There is magic in finding something you have never seen before, and can’t even imagine seeing. But my time was limited. I had three days: Thursday, Friday and Saturday. I was staying on Sunday as well, but artists start removing their art then. Or it has been burned. And I wanted to be sure I caught the major works. There were dozens of them scattered over the Playa, spread out as far as the eye could see.

Peter Hazel was a construction worker in tile and granite in another life. I imagine that he was a good one, that he took pride in his work, maybe even regarded it as art. But his world view shifted significantly a few years back when he made a trip to Barcelona and came in contact with the uniquely inspiring art of Antoni Gaudi. The world lost a talented contractor, and gained a talented artist.

I get it. Peggy and I were in Barcelona a few years back as well, maybe even around the same time Hazel was visiting. I wrote this for a post I published then:

Barcelona arrived in the Twentieth Century with its own brand of Art Nouveau, Modernisme. Combining whimsical and practical with a healthy dollop of nature, Barcelona’s artists and architects did a makeover of their city. Antoni Gaudi (1852-1926), the best known among the Modernistas, added a strong religious belief to his work and became the architect of Sagrada Familia, the Church of the Holy Family.

Started in 1883, the church continues to be a work in progress today. Like the towering cathedrals of the Gothic and Renaissance periods, it is a work of generations, and like the great cathedrals of Europe, is a masterpiece of art and architecture. Peggy, I, and our traveling companions walked inside and could only stare up in awe.

Here are a few photos Peggy and I took that illustrate why.

Looking up inside of Sagrada Familia in Barcelona.

Another view inside of Sagrada Familia designed by Antoni Gaudi.

An outside view of the Cathedral, which is still under construction.

The outer walls feature very modernistic looking sculptures like these.

The recent terrorist attack in Barcelona was recognized this year at Burning Man by this sign put up in the Temple by Burners from Barcelona.

The forty-foot-tall, thirty-foot-wide jellyfish Peter created had a position of honor on the Playa. It stood in front of Center Camp in a direct line with the Man and the Temple. Each year, BMORG (the Burning Man Organization), selects an artist to place his or her work here. Almost always, the artist is someone who has had art at Burning Man before and has already impressed the organization and the participants with her/his creativity and talent. The jellyfish had an appropriate jellyfish-look from a distance. Up close, you could see that it was made up of small jellyfish, some 2000 of them, each one carefully placed in a large steel structure that had been built to accommodate them. Glass had been broken, reshaped, and fired to create the small jellyfish. Some eight kilns and a lot of volunteers were kept busy in the process. I followed a set of stairs up into the belly of the jellyfish and them climbed higher on a ladder so I could see how the work had been put together, and take advantage of the height to see out over Burning Man. I made the journey twice— once during the day and once at night.

Hazel’s Jellyfish during the day.

A view from inside of the small jellyfish, each one unique, that made up the skin on the large Jellyfish.

A small jellyfish I photographed at an aquarium in Charlotte, North Carolina earlier this year.

Looking back toward the Center Camp Cafe from up inside the Jellyfish during the day…

And at night.

Looking out toward the Man past the jellyfish on the night the Man burned.

Back in the 1800s, the challenge of creating animation was solved by a device known as a zoetrope. Slits were carved in a cylindrical device that contained still representatives of a bird in flight, a horse running, or some other action sequence. Several representations of the bird, horse, etc. would be included opposite each slit in a slightly different stage of movement. The cylinder was then turned rapidly with an individual looking through the slits as they passed by his eyes. The result was an illusion of motion.

A similar illusion was created when we were kids by having the illustrations drawn on separate pages of a small book. We would rapidly flip through the pages with the same results. You wouldn’t believe what Mickey and Minnie were up to. Bad mice! The books weren’t anything we wanted to take home to our parents. I don’t have a clue where they came from, but so much for the vaunted innocence and safety of the 1950s.

Peter Hudson’s creation, Charon, operating under the same principles as a zoetrope, rotated rapidly and created the illusion of movement— in this case, Charon rowing his boat across the River Styx. Ropes, hanging down from each side, were pulled by Burners in unison to make the sculpture rotate.

The Bay Area artist Peter Hudson, or “Hudzo,” as he bills himself, has taken the zoetrope idea to new heights by using life-size figures and strobe-like lights to achieve the movement effect. His works of art are interactive. People pulling ropes or riding bikes in unison cause the art piece to rotate and give the desired effect. He’s had several different works at Burning Man.

This year he returned to an earlier piece that featured Charon, the ferryman of Greek Mythology, who transported dead Greeks across the River Styx.  The Greeks would put a coin in the mouth of their dead loved ones to pay Charon. No coin, no transport! The poor were left to wander for a hundred years or so on the wrong side of the river. Once across, the dead would make their way past Cerberus, the three-headed dog, into Hades where they would exist forevermore as shades. Cerberus wasn’t there to keep them out; he was there to keep them in. And he was really good at it. If you’ve watched the Harry Potter series, you have a good idea of what a three-headed dog might look like— and how it might drool. My old Basset Hound Socrates didn’t have three heads, but he did have the drooling part down pat, especially if we were eating cheese. When he shook his head to clear the drool, it would slime all four walls of our small apartment… and us.

A close up of the skeletons. Note that each one is in a slightly different position. Charon as a skeleton is a fairly recent adaptation. Originally, he was depicted as a smelly old man.

I was out exploring in the Playa on Horse with No Name and had dismounted to check out some art when a Burner said to me, “Look this dragonfly just landed on my hand. It must be lost.” Indeed, a dragonfly had landed on the hand of the guy who looked like a long-time Burner. They come with a certain patina. I dutifully took a photo.

The dragonfly that came to visit Black Rock City.

Maybe it was fate. Shortly afterwards I came on a sculpture of a large dragonfly at the head of a whole lot of little ones that were escaping from a bottle held up three, headless guys. Acolytes, I was informed. The piece, titled Flight of Illumination, was created by Iron Monkey Arts out of Seattle. The acolytes, so the story went, had gone their own way but learned that working together was better. “The world is cold and lonely when you are a self-centered dick,” the literature about the sculpture told me. So be it. We can all use a little illumination.

The acolytes release the dragonflies in the Flight of Illumination.

Who then flew across the sky…

Ending with this big fellow.

Bear with me here, for my final sculpture today. This one has to do with 180,000 pennies, attached as fur on (you guessed it) a giant bear known as Ursa Major. If you’ve been around my blog for a while, you may remember Penny the Canadian Goose from a couple of years ago covered with Canadian Pennies. This year, Lisa and Robert Ferguson out of Oakland, California, the creators of the goose, decided to go with a grizzly. The couple met and fell in love at Burning Man in 2008 and have been creating art for the event ever since.

A close up of the bear’s fur that is made out of pennies.

Ursa Major and her two cubs at night. I don’t think that you would want to mess with the mama.

Alaskan Brown Bear

Just for fun, I thought I would finish this post with a picture Peggy took of a brown bear a couple of years ago in Alaska playing with a moose bone it had found by throwing it up in the air and catching it, again and again. Check out those claws!

NEXT POST: A look at some murals at Burning Man 2017. You won’t want to miss the cannibal weeny dogs.

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I’ve Been Through the Desert on a Horse with No Name… Burning Man 2017: Part 2

A bike is critical to traveling around the Playa and through Black Rock City. Distances are substantial, as this photo demonstrates. I took this photo from the Man. Looking the other direction would provide a similar scene.

 

When I made my second trip to Burning Man in 2005, my friend Ken Lake brought along stick horses— the type that are popular with five-year-olds— to put on our bikes. They served as decorations and a way of quickly telling our bikes apart from the tens of thousands of others that reside in Black Rock City. If you pinched their ears, they went clippity clop, clippity clop, neigh, snort. Naturally, we had to name them.  Horse with No Name popped into my mind. I would be riding through the desert on my horse-bike, and I’ve always liked the song written by Dewey Bunnell. There’s more. Bunnell was inspired to create the haunting music by memories of his childhood travels through Arizona and New Mexico, a Salvador Dali painting of the desert, and a strange horse depicted by M.C. Escher. The fact that I am a fan of the Southwest, surreal art, and Escher was frosting on the cake.

Ken Lake, on the left, showed up with stick horses in 2005. Here, he and Don Green try out our new horses before attaching them to our bikes.

Horse with No Name is something of a contrarian and likes to see what is being him.

The seven squares miles covered by the event requires a bicycle, so I’ve been riding Horse with No Name on my trips to Burning Man ever since. I suspect I’ve put on several hundred miles during my 11 trips into the desert. The bikes have changed, and the stick horses have changed, but the name has remained.

As I’ve noted before, my primary reason for going is to see the art. It’s located everywhere. Even with a bike, it’s difficult to see it all— and I always miss pieces. This year, I had to skip the first four days because of forest fires threatening our home. I only had three days to cover what I normally do in seven. I was on the bike a lot. My tail was complaining loudly by Sunday. (For those of you who have been following the saga of the burning forest, we are out of the woods, so to speak. Level 1, 2, and 3 evacuation notices have been dropped.)

The art at Burning Man ranged from this 70 foot tall Flower Tree Temple…

To this very realistic looking tree that provided shade from the desert sun during the day and was beautifully lit up by night.

There are other things to do at Burning Man besides look at art, of course. For example, you can party 24/7 for a week if that’s your thing. Bars ‘gifting’ free booze are located on almost every corner. You can also dance the night away, or day. I saw people dancing country along the 6th street route I followed into Center Camp, and I could have gone elsewhere to learn to Tango, had I been so inclined. The most common music, however, is the type that goes thump, thump, thump in the night, industrial strength stuff. World renown DJs come to Burning Man to play it for free. The music will keep you awake if you allow it. I have a very loud, battery operated fan that serves as a wonderful noise maker in addition to keeping me cool, however. Let it thump away. (The secret of sleeping through the desert heat, BTW, is to wear a wet T-shirt and let evaporation do its thing. It also works for daytime naps. The fan speeds up the evaporation and makes it cooler.)

I thought that this mutant vehicle was an excellent example of what a Burner might look like after partying straight for seven days!

Always one of my favorite mutant vehicles, this large dragon was back again in 2017. Large speakers and industrial strength music guaranteed that people would be dancing around it whenever it stopped. Dancing is a 24/7 activity.

For those who wanted a slightly more challenging form of exercise, there was a marathon. Here a runner gets a high-five as he runs under the Man.

For the first time ever this year, the Man was enclosed in a structure.

Dozens of classes are offered for those who want to learn something new. They range from the ecology of the Black Rock Desert to sensuous massage: BYOM. (Bring your own mate.) You can also take a class in bondage. I’m normally too busy to be tied up for an hour, however. (grin) Many classes come with an Eastern/New Age twist such as meditation and Yoga: BYOM applies here as well. (Bring your own mat.)

Camp Mystic offers ongoing classes in Eastern thought.

There is entertainment galore. Twirling fire is big at Burning Man. As is creating magic with hula hoops. If you want to see something truly sensuous, watch a talented hula hooper. The Center Camp Café always has something going on, both planned and impromptu. One moment you might be listening to a lecture on physics and the next surrounded by several hundred large rabbits, or at least people wearing rabbit ears. But you can be anywhere in Black Rock City or out in the Playa and find entertainment.

The Center Camp Cafe is always a center of activity at Burning Man. This year it was set off by a rainbow arch.

A story teller and a violinist were performing under the green tree shown above.The story teller was reciting a love story that could have come right out of Scheherazade. She would tell a part of the story in what I thought was Arabic or Persian and then translate it into English, accompanied by the violin.

People watching is always big. Some folks develop elaborate costumes and almost everyone makes some effort to look different, even if it’s only putting on a tie-dye T-shirt. Scantily clad is a Burning Man trademark. While total nudity is rare, topless is not uncommon, for women as well as men.  I think of it as eye-candy. Staring is rude but appreciative glances are okay. You’d have to wear blinders not to notice and be a robot to not enjoy the views.

A costumed trio lines up for a photo at the Temple of Flowers.

A major reason people give for going to Burning Man is to share the experience with friends. Over the years I’ve always been accompanied by folks who are close to me, people who have joined me on backpacking and bicycling adventures as well as in fighting for environmental and health related causes. Some of them have been friends for decades. This year was an exception. Only one, Don Green, could make the event, and he bailed on Wednesday, the day I was driving in from Oregon. I was left alone. Not that I am overly worried about being alone. Remember I took off backpacking on two wilderness trips this summer by myself. Still, it felt a bit strange. Fortunately, a group from Nevada City, California camped next to my van and befriended me.

My Nevada City friends: Blaine, Ashley, Baley and Miriam.

“Curt, you have to join us for dinner,” Baley insisted. “We have way more food than we can possibly eat.” Blaine had already stuffed me with watermelon in the morning. Miriam had shown up with fresh pineapple and cookies in the afternoon and stayed to chat for an hour. Both her parents were Italian but she had been raised in Tahiti and Fiji. Now she was living in Brazil. She’d come to the US to trim marijuana buds for Blaine, who is a pot grower— a now legitimate profession in Washington, Oregon, California and Nevada. (Half of the traditional farmers along our road in the Applegate Valley have added marijuana as a crop, including the guy who had a large Trump sign on his property.)

They were cooking up a batch of ribs, tri-tip and sausages. Given that I had a hotdog waiting for me in the van, I quickly joined them! “You need to eat salad, too,” Ashley admonished me. She wanted to assure Peggy that I was eating my veggies in her absence. I gave each one a copy of my book on my Peace Corps experience in Africa as a thank you.

A final photo: The women line up with me next to my van.

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Peggy’s Lake

Peggy’s Lake. The quiet beauty of this small Sierra lake captured me.

Gold prospecting was a lonely occupation for most of the men who came to California as 49ers. Wives and girlfriends had been left behind. Often the only female companionship a miner might have was the type you paid for. Every town of any size had its whorehouse, or possibly several. One way the miners compensated for their loneliness was by naming lakes in the Sierra Foothills and Mountains after their favorite female companions, be it a wife, a girlfriend, or a particularly friendly lady of the evening.

I honored the tradition when I made my solo trip into the Grouse Ridge/Black Buttes/Five Lakes Basin Area. I had hiked out on Saturday from the Basin but Peggy wasn’t coming in to pick me up until Sunday. I didn’t want to hike up the Grouse Ridge Campground and spend the night. It was undoubtedly crawling with people. So, I went looking for a substitute.

A small lake that I had camped on before had been taken over by cattle, lots of them. I hiked on. Another little lake was shallow and also a favorite watering hole for my bovine companions. I hiked on and on, getting father and farther away from the trail. Much to my surprise, I came on a little, unnamed lake that I had never been on before— and I’ve crisscrossed the area extensively. It was shallow, only a few feet deep, and it might very well dry up in another month or two, but it was gorgeous. I decided to name it Peggy’s Lake, after my best friend and wife. It’s nothing official of course. It won’t show up on any maps. But I knew that Peggy would like ‘her’ lake.

Peggy's Lake in the Grouse Ridge Non-Motorized area.

Similar to Five Lakes Basin, Peggy’s Lake is nestled in the granite. Storm clouds hovered over head in this photo. They soon produced rain.

And it rained hard. I hid out under a couple of large pines to stay dry. This Lupine welcomed the rain with open leaves!

Lupine at Peggys Lake near the Black Buttes of the northern Sierra Nevada Mountains.

These pods on the Lupine left no doubt about its connection to the pea family.

After the rain, a convenient rock provided a premier seat for enjoying the lake.

Peggy’s Lake in the evening.

Peggy's Lake in the Grouse Ridge area of the Northern Sierras.

And with the early morning sun.

These two trees, a pine on the right and a juniper on the left, caught my attention.

Here they are early in the morning, backlit by the sun.

The shallowness of the lake encouraged grass to grow. I kept seeing little heads pop up out of this grass and didn’t have a clue what they were. Later I figured out they were baby ducks, catching insects.

Once again, I found a fun monster lurking in the lake’s reflections. I turned it upright for your enjoyment.

This red fir made me think Christmas tree.

As always, I was attracted to the beauty of old wood like this stump.

And these two trees that seemed to continue an embrace that they had shared when they were young and green.

Gnarled wood called to my camera. I liked the patterns here…

And here…

The setting sun lit up the Black Buttes that help define the area.

And I am not going to tell anyone where Peggy’s Lake is! There’s a reason.

The Grouse Ridge Non-Motorized Area is well-loved. Maybe too much so— especially for someone like me who prefers his wilderness rugged, wild and relatively people-free. But I make an exception for this region. It’s an easy place for people to get to and is very backpacking-friendly for families and newcomers to the sport. It serves as a great introduction, as it did for our grandchildren, Ethan and Cody. And as it did for me in the 1970s. There is great value in this— for the people of course— but also for our world. People who experience the wilderness in a positive way are much more likely to appreciate it, and want to protect it. And protecting our wild areas is ever so important, for ourselves, our children, and future generations.

This doesn’t mean that I am beyond selfishly wanting to keep a bit of it to myself, like Peggy’s Lake. So, I’ll share photos, but not location. (grin) If folks who frequent the area are charmed by the photos and go out of their way and find the lake: Welcome.

It was only proper that Peggy, Tasha, Ethan and I ended our backpack trip the following week at Peggy’s Lake.

Tasha points out a white cow that stopped by for a visit, laid down in the grass, and happily chewed her cud while watching us. It was the same cow that had come to visit me up near Glacier Lake the week before. Maybe she was missing her people.

Ethan and Cody explore the shallow lake.

It wasn’t all backpacking. Here Peggy displays her cards in a game with the 9-year-old Cody. This would have been a bad hand for poker. It was even worse for War, which Cody insisted she play with him whenever we camped, including at 6:30 in the morning!

And finally, nestled into the seat of honor, Peggy enjoyed her lake.

I am off to Black Rock City, my friends. And I am excited to return to the desert, the incredible art, and the magic of Burning Man. This year’s theme, Radical Rituals, promises to produce some interesting art. For example, what the heck is the Pagan Bunny Shrine? The creators say it’s all about hoppiness. We’ll see. Anyway, I’ll be away from my blog again for a week. But immediately afterwards, I’ll begin a series of posts on this strange, sometimes wonderful, and occasionally downright weird event. And I’ll respond at that time to any comments you’ve made in the meantime. See you then. –Curt

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A Journey into the Five Lakes Basin

Five Lakes Basin in the Grouse Ridge Non-Motorized area north of I-80 in the Sierra Nevada Mountains.

I call this small gem in the Five Lakes Basin, Hidden Lake, because there are no trails to it. It’s my favorite of the five. Our grandson Ethan, had great fun leaping off the cliffs into the fairly deep water with encouragement from his grandmother. Mom looked on nervously.

 

The Five Lakes Basin called to me this summer. I’ve backpacked in numerous areas over the years— up and down the Sierras and other mountain ranges in California, Colorado, Maine, Alaska, Wyoming, New Mexico, Montana, North Carolina and the Canadian Rocky’s.  But my first trips in the late 60s and early 70s were into the Basin. Maybe these were like getting your first driver’s license, which is something you don’t forget. But it’s more; the Basin is special, it has a beauty of its own that can match any place I have ever been.

Eliminating four-wheel vehicles and motorbikes helped. It happened in the 70s. The jeep trail is still clear on Sand Ridge. If fact I rode over it in a jeep. Another time, a jeeper rescued me when I had a badly sprained ankle, and forever put me in debt to four-wheelers.  Once, however, I was camping next to a meadow below Sand Ridge and I heard the sound of a motorbike going around and around in circles. Out of curiosity, I walked out to the meadow and discovered a guy cutting brodies and tearing up the grass and flowers, leaving scars that would take years to heal. He saw me and took off, obviously aware of the damage he was doing, and not giving a damn. I went home and used my position as Executive Director of the Sacramento Ecology/Environmental Center to join with the Nevada City Chapter of the Sierra Club in its efforts to have the area declared non-motorized.

The trail Peggy, Tasha, Ethan Cody and I followed into the Five Lakes Basin over Sand Ridge. The motorbike guy was tearing up a meadow just below where the Glacier Lake Trail and the Sand Ridge Trail meet.

The old Jeep trail that I once rode over is still obvious on the top of Sand Ridge. The predominant plants are Mule Ears. Sand Ridge was created as the terminal moraine of one of the glaciers that carved through the Sierra Nevada Mountain Range during the last Ice Age.

The hike up Sand Ridge is a doozy. The first time I ever tried it, I thought I might die. I had zero concept of climbing up steep hills with a full pack on and I was in terrible shape. But that was long ago and many mountains in the past. I sailed up with relative ease this time, being in better shape at 74 than I was a 26, and ever so much more experienced. I have to say my companions hiked up it with relative ease. I’m sure it was my fine leadership. (Grin.)  Rudolph was waiting for us on top.

Cody, Tasha and Peggy climbing up Sand Ridge. The steepness and loose rock on the trail made it a challenge. The look on Cody’s face says it all. Interstate 80 can be seen on the upper right in the distance (the light color against the blue backdrop).

Ethan celebrates his climb up Grouse Ridge. Rudolph looks on.

Here’s how he really felt about the climb.

Peggy promptly named this wood sculpture at the top of the ridge with its prominent nose and antlers, Rudolph.

Of course the boys had to go for a ride. I later put a piece of white quartz that Peggy had found on Rudolph’s nose and the boys immediately broke out in a rendition of Rudolph the White Nosed Reindeer.

The Five Lakes Basin sits at the end of Sand Ridge. As the name suggests, you have to hike down to reach the lakes. There’s a trail, but I prefer hiking over the granite. My basset hound, Socrates, used to regard it as a freeway. And relatively speaking, it is. If you pick your way down the rocks, the going is easy up until the last 50 yards or so. My favorite lake sits right at the bottom. I call it Hidden Lake. It isn’t, but the fact that it is away from the main lakes, has no fish in it, and has no trail to it means that it gets less traffic. At least it did until the Boy Scouts discovered it. They’ve turned it into a mecca for building granite chairs and tables.

Looking down at Hidden Lake in the Five Lakes Basin nestled in the granite.

The granite chairs built by the Boy Scouts or someone else. They weren’t there when I first started backpacking into the area.

Tables have been added in more recent times. My bowl is there to provide perspective. It has to take several scouts to lift these granite boulders.

The unique way that granite splits naturally is what enables the chair and table building.

Some of the rocks must weigh several hundred pounds. Peggy, Tasha and the boys were quite impressed and took full advantage, but I couldn’t help but wonder if the scoutmaster might better serve the boys by teaching them minimal impact. Possibly it isn’t scouts. Maybe it’s a church group, or Druids. They were good with stones, right? I could see them sitting around on a full moon night chanting and doing whatever Druids do.

We had the lake to ourselves, however, as I did the week before on my solo journey. No Boy Scouts and no Druids. We were able to enjoy its beauty and the fact that it makes a very nice swimming hole.  This was the lake where I came up with the idea for the Sierra Trek in 1974, the hundred-mile and hundred-kilometer fundraising backpack treks that kept me happily out in the woods for close to 30 summers. It’s also where Socrates and I had the encounter with the underground demon. Go here for that rather funny story if you missed it the first time around.

The lake is always good for reflection shots.

Another example.

Some are a bit strange. I decided that this creature would fit right into 20,000 Leagues Under the Sea.

And this fellow, turned on edge made a great monster insect. The tree provides antennae. And check out the scary slitted eyes just above the snout! It looks like one mean dude, or dudette.

The Black Buttes rise up in the background. Our day hike would take us over to their base on the left. Glacier Lake, which I featured in my last post, is just below the Buttes on the right.

The swimming is great at Hidden Lake. Cody, however, was a bit worried about its mud bottom. “It’s not like a swimming pool,” he groused.

Sunset in the Five Lakes Basin of the Grouse Ridge Non-Motorized Area.

Sunset from our camp on Hidden Lake.

I planned a layover day so Tasha and the boys could explore the rest of the Basin. I had Ethan, who is also a Boy Scout, use his compass and path finding skills to lead. He was quite good. I was really impressed with his ability to lead us back using his trail memory. The following photos provide an overview of our journey.

This map shows our route into Hidden Lake and then our day hike through the Basin to Upper Lake at the base of the Buttes..

Jeffrey Pine in Five Lakes Basin of Grouse Ridge Non-Motorized area.

I explained to Ethan the importance of memorizing prominent landmarks, such as this impressive Jeffrey Pine, to remember his route.

This Juniper wasn’t large like the Jeffrey Pine but it was still distinctive and provided another landmark.

Once your expertise in route finding improves, even something like this small but unique Manzanita sculpture can remind you that you are on the trail.

Gary Snyder’s ‘biggest little lake’ in the Five Lakes Basin from the poem, Old Pond, that I included in my last post.

This is the middle lake above and to the right of Snyder’s lake on the map.

And this is the upper lake that nestles up against the Black Buttes. An old stream bed (the curved line) is in the middle of the lake. Trout hang out in the bed during the warmer summer months. This is the first lake I camped on when I came into the Basin.

My second camp was just above the waterfalls in this stream that feeds the lake.

Tasha reaches out to fill her bottle with the cold water that comes from a snow bank above.

The snowbank. It is unusual for snow to be in left in the Basin during August. it speaks to the very heavy snowfall the Sierras had this last winter. Naturally, such snow led to a snowball fight.

And Ethan sliding down with Peggy waiting to catch him.

Tasha and Ethan hiding out behind the snowbank.

Peggy and Cody found a niche to hang out in the granite rocks above the snowbank.

I like this photo I took next to the upper lake because it shows the contrast between the white granite of the Five Lakes Basin and the dark basalt of the Black Buttes.

The late snow also left an abundance of August flowers including this Sierra Tiger Lily…

Corn lilies galore…

With their white flowers…

Asters…

And many other flowers.

A final family photo with Peggy, Cody, Tasha and Ethan at the waterfall before heading back to Hidden Lake.

Next Post: We conclude out trip into the Grouse Ridge Non-Motorized Area with a stop over at Peggy’s Lake.

 

 

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In the Beginning… A Reflection on the Grouse Ridge-Black Buttes-Five Lakes Basin Area

A waterfall in the Five Lakes Basin provides water from snowbanks to one of my favorite lakes. The Black Buttes tower above. Hemlocks, pines and firs grow on the hillside.

 

Old Pond

Blue mountain, white snow gleam
Through pine bulk and slender needle-sprays;
little hemlock half in shade,
ragged rocky skyline,

single clear flat nuthatch call:
down from the treetrunks

up through time.

At Five Lakes Basin’s
Biggest little lake
after all day scrambling on the peaks,
a naked bug with a white body and brown hair

dives in the water,

Splash!

A poem by the Nobel Prize winner and the “poet laureate of Deep Ecology, ” Gary Snyder.

I have just returned from my last backpacking trip of the summer, my fifth— one for each decade I’ve shouldered a pack and disappeared into the wilderness. My last two trips included the Grouse Ridge-Black Buttes-Five Lakes Basin area, the same region Gary Snyder refers to above. He lives outside of nearby Nevada City (just above Grass Valley in the map below), and, like me, has wandered and loved the glacier carved country from top to bottom, from the Buttes to the Basin.

The maps below provide information on the location of the area and where I backpacked on my two trips.

 

Yellow marks the general location of my two trips this summer into the Grouse Ridge area just north of Interstate 80 between Sacramento, California and Reno, Nevada in the Sierra Nevada Mountains. (I was raised in a small town just outside of Placerville.)

The area circled in yellow was where we backpacked. I-80 can be seen at the bottom of the photo. I helped achieve the non-motorized status for the area in the 1970s when I was serving as Executive Director of the Sacramento Ecology/Environmental Center.

A close-up of the area. Today I am featuring Glacier Lake and the trail there from Grouse Ridge marked in yellow, which was the route I followed on my first trip. I went into the Basin on the Sand Ridge Trail when I backpacked in with my family.

The first trip into the Basin I made by myself this summer; the second was with my wife Peggy, my daughter Natasha, and her two sons, Ethan and Cody. It was our grandkids’ first backpacking trip and I wanted them to explore the area where my own backpacking experiences had begun in 1969— where I had first discovered the joys of backpacking, and the beauty of the Sierra Nevada Mountains.

Our daughter Natasha with her two boys, Ethan on the left and Cody on the right. Sierra granite provides the backdrop.

Ethan and Cody contemplate another climb. Both boys, Ethan at 12 and Cody at 9, carried full backpacks. Ethan was like a deer on the trail, bounding ahead. Cody was like a Sierra badger, digging in and not giving up, mastering the trail one step at a time.

In the beginning: It sounds almost biblical. Dan Iles would like it. I met Dan at Glacier Lake on my first trip into the Grouse Ridge area this summer. He introduced himself as the Dean of Graduate Studies at the Shasta Bible College in Redding, California. He’s a serious Christian, and a heck of a nice fellow. I liked him immediately. He had backpacked into Glacier Lake with his 13-year-old grandson and told me that he had been bringing youth groups into the area since the 70s.

The Reverend Dan Iles at Glacier Lake.

I was getting ready to leave the next morning when he came over for a chat. I had told him the night before that I lived in the Applegate Valley near the small town of Ruch in Southern Oregon and he wanted to know if I attended one of the churches there that he was familiar with. I explained that I was a bit more Eastern in my beliefs, a bit more Zen, and something of an Agnostic. I dug into my pack and found Siddhartha, a 1922 novel by Hermann Hesse that a friend had given me in the 70s. The novel describes Siddhartha’s journey to enlightenment at the time of the Buddha. I read it every few years because it reminds me of the importance of living in the present, of the interconnectivity of all things, and the value of a simple life— of not getting lost in our materialistic world.

Reading Siddhartha after dinner beside a quiet Sierra Lake. (Photo by Peggy Mekemson.)

Dan and I must have talked for 45 minutes or so about our lives. He described himself as a Professor of Practical Theology and told me of his efforts to help children and women in Africa who had been left homeless and destitute by the seemingly endless conflicts. He also told me that he believed in freedom of religion, that people should be free to worship according to their own beliefs, which is a concept that I strongly support. Still, I could tell he was concerned about my soul, that he would have considered a day spent trying to convert me as a day well-spent. It went with the territory of who he was and what he believed.

As I hiked past his camp to say goodbye on my way down into the Five Lakes Basin he urged that I read the Book of John in the New Testament. “It does an excellent job of describing the miracles of Christ,” he assured me. I’d read John before. In my youth, I had been considered a prime candidate for becoming an Episcopal priest. But I read it again on Dan’s recommendation. Miracles are what have been pulling people into Christianity for millennia. Jesus changes water to wine, feeds five-thousand people with two fish and five loaves of bread, walks on water, heals the sick, revives the dead, and ascends to Heaven.

I should have said, “Thanks, I’ll do that,” and moved on. But I couldn’t help myself. “I don’t need miracles, Dan” I responded. “I’ve got this.” And I raised my hands to take in the surrounding countryside. The towering Black Buttes climbed above the blue-green Glacier Lake. Giant red firs and pines stood as silent sentinels over the campground. Brightly colored flowers called to insects with an urgency that predated man’s sojourn on earth. Massive cumulus clouds spoke of lightning and thunder and rain and hail— of the incredible power of nature. If I needed awe, if I needed inspiration, if I needed a reason to believe, it was right there in front of me, behind me, surrounding me. I didn’t have to travel back in time 2000 years to events that required a leap of faith to believe. I waved one last time, turned, and hiked down the trail toward the Five Lakes Basin.

Photos of Glacier Lake and my hike into the lake.

The Black Buttes of the northern Sierra Nevada Mountains tower over Glacier Lake.

A close up of the Black Buttes as the sun sets.

The moon hovers above the Black Buttes in the northern Sierra Nevada Mountain Range.

A small pool fed by melting snow provided this reflection shot at Glacier Lake.

Red fir reached for the sky above my campsite.

Glacier Lake in the Grouse Ridge Area of the Northern Sierra Nevada mountains.

I found these two moss colored elders along the trail to Glacier Lake.

What insect could resist this brightly colored Red Mountain Heather that I took a close up of along the Glacier Lake Trail.

Towering cumulus clouds threatened thunder, lightning and hail at Glacier Lake.

I found a small creek along the trail to Glacier Lake and decided to camp next to it, thinking it might provide a short hike for my grandsons. (They didn’t need it.) I removed bear scat from the campsite so they wouldn’t get too nervous.

This boulder next to the campsite reminded me that the area had been carved by glaciers. The granite rock, known as an erratic, had been left behind by one of the glaciers.

I hid out under my tent’s groundcloth as lightning flashed, thunder rolled, and hail pounded down on my campsite. Later, as the sun set, all that was left of the storm was a few puffy clouds.

 

NEXT POST: It’s down into the Five Lake Basin.

 

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Out of the Woods… For a Day

Ready for another adventure, I look out toward the Black Buttes of the Sierra Nevada Mountains north of I-80. Peggy dropped me off at the trailhead, wished me well, and took this photo. And then I headed down the trail.

I am out of the woods— for a day— and decided to check in. I have just finished backpacking by myself for a week in the Grouse Ridge Non-Motorized Area of the Sierra Nevada Mountains north of Interstate 80. I’m going back into the same area tomorrow with Peggy, our daughter Tasha, and our grandsons Ethan and Cody. It’s a beautiful area, and I have lots of adventures to share. Like how do you persuade a cow that she really doesn’t want to camp with you overnight?

Anyway, here are a few photos to serve as a teaser. I should be home next Monday, which will give me a chance to catch up with fellow bloggers after a summer of backpacking. Of course I will be madly getting ready for Burning Man 2017… (grin).

I expect to see wild animals out on the trail, but this one didn’t seem particularly wild. In fact, I think she wanted to camp with me. Maybe she had seen the same fresh bear poop I had.

Turns out the weather was much more of a challenge than the bear. Shortly after my discussion with the cow, I was in the middle of a thunder, lightning and hail storm!

This is an area of incredible beauty that I have returned to again and again over the years. There are meadows filled with flowers…

That are always forcing me to stop and take their photo.

Numerous small lakes…

And the Black Buttes, seen here at Glacier Lake— lit up by the setting sun.

A final shot from Glacier Lake as the sun goes down, outlining what I considered to be a very strange tree.

See you all next week. —Curt

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A Canyon of Mystery and Magic… Sego Canyon Rock Art

These larger-than-life pictographs at Sego Canyon in Utah are among the strangest I have ever seen. Now add in the fact that they are several thousand years old. And what’s with the pictograph on the right? Also, check out this guy’s spiky hairdo.

 

Zipping along Interstate 70 in Utah, you might very well decide to take a detour and visit Arches and Canyonlands National Parks. It is a decision you will never regret. The odds are, however, that you will miss the small road that extends north of the Arches turnoff heading toward the town of Thompson Springs. In so doing so, you will miss the opportunity to visit one of the most magical and mysterious rock art sites in the Western United States: Sego Canyon.

Our van sits in Sego Canon as Peggy and I wander around looking for rock art. Most of it is located on the two rock faces below. Peggy watches as I work my way up closer to the petroglyphs.

Most of the rock art at Sego Canyon is found on the two faces of this large rock.

This is another rock face that Peggy and I checked for petroglyphs in Sego Canyon. We didn’t find any rock art but the rock itself was quite unusual. I could see why Native Americans might have considered the area sacred.

Three different historical periods are represented in the rock art here dating back over a period of 6,000 years. The most fascinating to me are the pictographs left behind during the Archaic period by nomads who roamed the area from 8,000 to 2,000 years ago. The large, anthropomorphic forms that are painted on the rock normally lack eyes, arms and legs but may come with antennae, snakes and earrings. Known as the Barrier Canyon Style, it’s hard not to think of these pictographs as alien, or at least imagine a shaman encountering these creatures on a drug induced journey into an alien world.

Dave Kingsbury, one of my followers from England, and I were discussing cults where people run around with rattlesnakes in their hands. We both agreed that such sport wasn’t for us. This horned pictograph from the Archaic period seems to have a thing for snakes. Possibly he belonged to such a cult. Or possibly he was a very powerful shaman.

Or maybe something else. I see this and I want to say, “Take me to your leader.”

And this.

I find these jellyfish-like pictographs even more mysterious than the anthropomorphs. UFO fans might describe it as a space ship taking off, but hey, maybe it is a jellyfish. Or likely something else.

This shot provides a view of how some of the pictographs fit together on the right side of snake man.

And to the left..

And now, all together.

A final shot from the Archaic period. I found these pictographs a bit ghostly.

The Fremont Culture took over from the Archaic period and lasted from  600 CE to 1200 CE. Unlike the nomadic Archaic peoples, the natives of the Fremont period grew corn, lived in permanent stone buildings, and had a complex social structure. Most of the rock art they left behind is in petroglyph form, pecked into rather than painted on the rock.

The Fremont era had its own strange figures, but these were loaded down with jewelry. I found the hand interesting. I wonder if it is holding Datura seeds. It looks a bit like a foot walking in the circle. And there is a Big Horn sheep. It is rare to find petroglyph sites in the west that don’t include them.

A close up of the two figures with another ghostly one to the right. There is also another hand and another sheep, a fat fellow. The tiny figure on the left looks more like a deer to me.

And finally, we have the more modern Ute Culture that populated the area from 1300 to 1880 CE, when the Utes were forced out of their homes and onto Indian Reservations so pioneers could grab their land. One way to distinguish petroglyphs from this period is the presence of horses, which the Spaniards brought to North America in the Sixteenth Century. In fact, horses are a major tool used in  dating rock art.

This Ute rock art featured what is thought to be a shield. I’d say that the horse is about to become horse meat.  But wait, is that a small man on the back of the horse? Maybe he is the enemy.

Ute Indians seem to hunt buffalo in this scene, which will be my last for Sego Canyon. If you ever find yourself in the area, don’t miss the opportunity to explore this fascinating  site.

Next Post: I am still out backpacking but will try to get a post up on petroglyphs Peggy and I have photographed in Arches and Canyonlands National Parks during my next break between trips.

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Pass the Datura, Please… I Want to Make a Square.

Geometrical forms are often found in rock art, and the Three Rivers Petroglyph Site is no exception. The body of this horse with its ears back and tail sticking out is filled with squares. I’m wondering if its pose is a result of eating Datura, whose seed are represented by the two circles. Or maybe it just spotted the horse-sized snake off to the right. My ears would be back and tail sticking out too.

 

Datura, one of Georgia O’Keeffe’s favorite flowers to paint, is a strong hallucinogen, and dangerous. Shamans of the western US often used it to induce visions and travel on their journeys into other worlds. It seems quite likely that many of the stranger petroglyphs found at Three Rivers were inspired by its use. There is also a theory that many of the geometric patterns found in rock art sites throughout the world are hard-wired into the brained and are discovered through the use of hallucinogenic drugs.

Datura, also known as Jimsyn Weed.

Datura, a beautiful but dangerous plant is also known as Jimson Weed. I took this photo along the American River Parkway in Sacramento.

I’ve always been amused by how Datura earned its Jimson (Jamestown) Weed name. Apparently the residents of Jamestown fed the plant to British soldiers in 1676 who had been sent to quell a rebellion by the townsfolk. One of the soldiers spent his time trying to blow a feather up into the air while another sat naked in a corner and made faces at them. The other soldiers were similarly effected.

Following are a few of the petroglyphs we found at Three Rivers that featured geometric forms and were perhaps inspired by the use of Datura.

This particular petroglyph at Three Rivers reminded me of a spiral galaxy. Maybe it was supposed to.

This large petroglyph was laid out like a maze.

Another large rock petroglyph. This one of squares with one of the squares filled with further squares.

Another maze like petroglyph. Following the spiral takes you to the center of this large circle.

Lacking the geometric look of the above petroglyphs, this may be a ladder leading down to a map of personal crop sites. Many Native Americans lived in cliff dwellings and would travel by ladder to farms below. I wonder if the footprint isn’t saying ‘walk this way.’

Here’s a pattern that you might expect to find in a modern-day Navajo blanket.

Okay, I’m thinking Datura here. The wavy lines might actually represent a river, but the eyes? (On the top maps I use backpacking, they would represent two depressions in the land.)

Circles are common at Three Rivers Petroglyph Site. This may represent the sun.

And I conclude my posts on Three Rivers with what might be another candidate for Datura influence.

NEXT POST: Continuing my series on petroglyphs, I’ll travel up to Sego Canyon in Utah. Since I am out backpacking in the Sierra’s,  I’ll respond to comments on my return.

 

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No-see-um Camp, a Sacred Grove, and Cougar Poop

No-see-um camp, which we expected to be bug infested, turned out to be nestled among trees that made me think of a sacred grove.

Part II of our hike up Cook and Green Creek to the Pacific Crest Trail through the Rogue River National Forest.

Our goal for the day was No-see-um Camp, which seems like a very poor place to set up your tent. If you have spent much time outdoors, you will recognize no-see-ums as particularly nasty little bugs. I first encountered them when backpacking on the Appalachian Trail in Maine. It had rained for a solid week and every biting bug in existence had considered us fair game. While mosquitoes had treated our bug repellant as an hors d’oeuvre, no-see-ums had come after us with knives and forks. Later, I watched a moose in Alaska dash wildly about and roll in a snow bank to escape the tiny, nefarious fiends. Fortunately, we didn’t find any no-see-ums in No-see-um camp. It was quite the opposite. I decided we had arrived in a sacred grove.

Sacred groves go almost as far back as humanity. Think of the Druids and their oaks. In West Africa, where I served in the Peace Corps, huge cottonwoods were thought to contain living spirits and I often found offerings at their bases. It’s important to keep the forest spirits happy.

No-see-um camp had more species of trees than I have ever found in a single location, many of them were giants. From our camp, I could see Douglas fir, sugar pine, white fir, blue spruce, chinquapin, big leaf maple, and yew. Just up the trail I found a ponderosa pine. Cook and Green Creek with its cool, refreshing water bubbled and burbled and roared its way down the canyon just behind our tent. I figured it was an excellent place to commune with nature spirits and Peggy found a camp guardian up in the trees, which I thought was quite pagan of her.

Another view looking up from our campsite on Cook and Green Creek. This one features big leaf maples.

There is a reason for their name!

We also had chinquapin growing in the grove. This prickly thing covers the trees nuts, which are said to be tasty.

Giant sugar pines with their large cones and giant Douglas firs with their small cones surrounded us.

I found a large ponderosa pine near by. Do you know what made the line of holes? It was a sapsucker, a kind of woodpecker. It will return to eat any insects that have entered the holes.

Cook and Green Creek flowed just behind our tent. It was burbling here.

Small waterfalls added a slight roar.

And I found the way the water flowed over a rock to be intriguing.

The downed tree next to our tent provided a good perspective on the size of the larger trees.

This odd tree growth just above our site served as Peggy’s camp guardian. (Photo by Peggy Mekemson.)

The Guardian’s tree was also impressive.

We used our layover day as an opportunity to do a nine mile hike up to the pass and back. Going up, we entertained ourselves by enjoying flowers and other plant life while looking for signs of wildlife. And yes, I have more animal poop, scat, to share with you. I’ll bet you’re excited.

A shelf fungus.

Any idea what is happening here? Carpenter ants were making their nest. They are a fairly large ant that literally cut off small, sawdust-size chunks of wood and then bring it out to the edge where they dump it on to the sawdust pile at the bottom of the photo.

Peggy poses beside a fallen tree.

Which happened to feature another wood sculpture that Peggy determined was a dragon.

We found these unusual cones that actually grow directly on the limbs of the trunks and limbs of the knob cone pine.

Okay, I put up pretty, or at least I hope interesting photos, and then I put up poop. Why? Half the fun of wilderness travel is knowing what you are seeing around you. Scat (poop) is one way of telling what animals are using the trail you are on. This happens to be cougar, or mountain lion scat. The twisted piece on the end is fairly definitive of the cat family. Size suggests cougar. It was dry, so we were in little danger of an immediate encounter.

Since we are on animal signs, any idea of what made this? Odds are it was a porcupine. They chew off the outer bark to get to the nutritious, inner bark.

This attractive small waterfall, provided cool water to drink with our  lunch. (Photo by Peggy Mekemson.)

After lunch on our way up to the pass, we found this attractive Blue Spruce…